Sunday, January 3, 2016
The Big Short
The best part was the educational value -- I left with a better understanding of the 2008 crisis, and some knowledge of the gaps in today's system. It was interesting because it was true.
I liked how McKay cleverly worked technical definitions into the movie withOUT making it sleepy. Now I know what a synthetic CDO is, for example.
There was a great scene where bond rating agency manager talks wearing dark glasses as if she were blind. I appreciated the ironic humor. There were several gaps like this, some funny.
Compared to a real drama however, The Big Short, comes up short. Why? The characters: they are motivated only by getting rich. The writers decided these people were abnormal and dehumanized them rather than humanizing them. They are depicted as anti-social or maybe Aspergers sufferers: even if this was been historically true, everyone has feelings and needs. Fewer characters with deeper backstories would have been more engaging.
Directed by:
The Music:
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Friday, December 25, 2015
Joy
The script-writer emphasizes the hardship in Joy's life, and at times she is like the biblical hero Job, with everything going wrong repeatedly. It is humorous how terrible things are in a sitcom sense.
The biggest shortcoming is that the script feels concocted to create these frustrating experiences for Joy -- no one's life is really like this. The unreality breaks the dramatic tension. There are intentional situation comedy moments from the co-stars especially De Niro, who is almost a clown of a father. Jennifer Lawrence is in a drama, and the co-stars are in a comedy like My Big Fat Greek Wedding.
The highlights are all emotional turning points for Joy: Joy goes through a wringer, but it creates great moments for Jennifer L on screen. Definitely worth an Oscar nomination.
Even though there is a big cast of co-stars, only Bradley Cooper and Isabella Rossellini are something special.
Joy has its moments. I liked it, and I am glad I saw it.
Directed by:
Written by: David Russell; story by Annie Mumolo
The Music:
The Visuals:
Rating:
Clearly Jennifer -- she should get an Oscar Nom. On the other hand, Inside Out is the better movie.
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| Joy Mangano and Jennifer Lawerence |
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Saturday, December 19, 2015
Star Wars: The Force Awakens
Plot: Years after The Return of the Jedi, Luke Skywalker is missing, and the Nazi-like First Order is attempting to take over the Galaxy. Pilot Poe Dameron (Oscar Isaac) has a map to where Luke may be, and he gets attacked by First Order & Darth Vadar acolyte Kylo Ren (Adam Driver.) Scavenger Rey (Daisy Ridley) finds cute robot BB-8 and meets an Imperial defector Finn (John Boyega.) They escape on the Millennium Falcon to take the map to the rebels, but soon run into Han Solo (Harrison Ford) and Chewbacca. Before the climatic battle, we see rebel base, an enemy super-weapon, and an X-wing fighter attack. [imdb] [photos]Daisy Ridley plays Rey with subtlety, and there some great reaction shots. John Boyega's Finn is likable in part because of the character's history, but also because of the personable acting. Two good performances. Adam Driver is less good as Kylo Ren -- too stuffy.
The script got so many things right. It skip over details of the old story, and pick up key points with new characters. We have the old characters for familiarity, but they are not involved too much. The replacement of Darth Vader with another villain is hard, and we will see how Kylo Ren evolves.
The movie is more about friendship and sacrifice than it is about good and evil. The movies may be about the ascent of Rey, who begins as garbage picker, and who seems to have bottomless potential.
Force Awakens is as good as one could hope it to be, and so much better than Phantom Menace.
I want to see it again.
Directed by:
Written by: Lawrence Kasdan, JJ Abrams, Michael Arndt; It will be interesting to learn to what extent they borrowed from the older Star Wars fiction for characters like Supreme Leader Snoops and Kylo.
The Music:
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Rating:
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Saturday, December 12, 2015
Spotlight
The plot is all numbers, dates and documents. To make Spotlight work, it needed good actors, and these actors were fun to watch. Mark Ruffalo gave his character an intense, Alsperger's syndrome focus - hands in the pockets, head cocked, with an laser intensity stare. Stanley Tucci is always one of my favorites. Rachel McAdams and John Slattery both provide emotional resonance.
The best scene is when the reporters are gathered around a desk getting good news on the phone, and they all react to it in a different way. It is like a little wordless play.
Remarkably, all this interviewing and phoning and legal fights and paperwork is threaded into a story that is compelling and interesting: great directing by Tom McCarthy. The difficulty with the directing is the primary case for a 4 star rating.
I tend to believe that Catholic priests have been routinely having sex with children for hundreds of years, but happily in the 21st Century, it is being stamped out.
As a lapsed Catholic, I find the whole episode emotional retching. The clerical culture that allowed abuse for centuries isn't apparent to parishioners in the pews. The clerical culture is secretive to keep the illusion going, and it's mission is not congruent with the mission of the Church. In my view the resistance against female priests is also from the clergy, not the laity or the theology.
Directed by:
Written by: Tom McCarthy, Josh Singer
The Visuals:
Rating:
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Saturday, December 5, 2015
Going Clear: Scientology and the Prison of Belief
I once-again realized narrow cults can be very powerful, and worse, this cult had lie detector that the faithful used on each other to enforce orthodoxy. The Sea Org, serves as the clergy, and these people are barely paid, on the other had, the church collectively seems obsessively focused on money. Other charities with unpaid staff also have corruption issues. Paying workers fairly reduces this kind of corruption.
I enjoyed the first half hour or so, after that, it was like doing my third set of leg presses -- not fun any more.
The Visuals:
Rating:
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Saturday, November 28, 2015
Creed
Plot: Boxer Adonis (Michael B Jordan,) son of ex-champ Apollo Creed, finds ex-champ Rocky Balboa (Sylvester Stallone) to train in him for big-time fights. He trains every he second that he is not with girlfriend Bianca (Tessa Thompson). After a few plot twists Adonis ends up at the big fight for the finale. [imdb] [photos]When the fights come, they are as dramatic as ever with jaw-shattering punches, and high-speed punch exchanges. The final fight is tension-filled and exciting.
One especially good scene was Adonis running in the streets of Philadelphia with the guys from the neighborhood hood doing wheelies on their street bikes. The rap song over the top made it all memorable.
The message of Creed is something about working hard can help you achieve your dream, and that having a dream is OK. There is a more subtle message about not needing to have money to be fulfilled.
Directed by:
Written by: Ryan Coogler, Aaron Covington based on the characters by Sylvester Stallone
The Music:
The Visuals:
Rating:
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