Plot: In 1920's New York, wizard zoologist Newt (Eddie Redmayne) arrives on a ship from London with a suitcase magically-filled with magic animals/monsters. One animal escapes and while trying to catch it the suitcase ends up with aspiring baker Kowalski (Dan Fogler), and then more animals escape. The chaos attracts the attention of Tina (Katherine Waterston) and Graves (Colin Farrell) who are like magic police, as well as Chastity Barebone, who is a feverish political opponent of magic. Tina and her sister Queen (Alison Sudol) and Kowalski help Newt capture the animals and satisfy the authorities. [imdb] [photos]
I liked the personalities of all four main actors, Redmayne, Waterston, Sudol and Fogler. Redmayne is full of emotion. Waterston seems serious and coy. Sudol had a great flirting scene and her mind reading scenes were funny. Fogler starts out so stiff, and is lovable by the end.
The basic story is catching the monsters, but it is paced out by the introduction of all the characters and interludes where we get to know the monsters -- primarily to foreshadow the more lively action later.
At the end there are several subplots planted for the sequels -- if you are already looking forward to the sequels as I am, these are valuable clues. If not, then these are fluff not contributing to the drama.
Rowlings magical universe in the US has different politics than in England. Here the witches are more oppressed and egalitarian, without the class distinctions that were the major theme of Harry Potter.
I liked how the main monster of the story was an incarnation of the repression traumatic events and denying ones identity, so the psychological evil becomes physical evil. Unlike some summer thrillers, there is a clear political and sociological message being sent in the construction of the story. In this season of Trump, the cross-cultural themes may be more timely or more controversial.
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