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I liked the personalities of all four main actors, Redmayne, Waterston, Sudol and Fogler. Redmayne is full of emotion. Waterston seems serious and coy. Sudol had a great flirting scene and her mind reading scenes were funny. Fogler starts out so stiff, and is lovable by the end.
The basic story is catching the monsters, but it is paced out by the introduction of all the characters and interludes where we get to know the monsters -- primarily to foreshadow the more lively action later.
At the end there are several subplots planted for the sequels -- if you are already looking forward to the sequels as I am, these are valuable clues. If not, then these are fluff not contributing to the drama.
Rowlings magical universe in the US has different politics than in England. Here the witches are more oppressed and egalitarian, without the class distinctions that were the major theme of Harry Potter.
I liked how the main monster of the story was an incarnation of the repression traumatic events and denying ones identity, so the psychological evil becomes physical evil. Unlike some summer thrillers, there is a clear political and sociological message being sent in the construction of the story. In this season of Trump, the cross-cultural themes may be more timely or more controversial.
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