Plot: A fugitive, Mud, (Matthew McConaughey) is living on a river island in Arkansas when he is befriended by two boys, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland). Mud is running from the law and a posse of locals from the next town who want to lynch him. Mud wants to get back together with his girlfriend, Juniper (Reese Witherspoon) and run away. [imdb] [photos]
I liked the child actors because their scenes never seemed fake. The pluckiness of Sheridan's Ellis is the strongest part of the movie. The relationships between the characters are vague and the emotional tone is cool. Despite the characters saying 'I love you,' regularly; I did not understand what kept these people together. Mud's relationship with Juniper was especially undeveloped, and Reese spends the movie wasting away in her hotel. No dialog at all -- they wave at each other.
The plot has dangling ends, like there were many scenes that got edited out.
Art movies are supposed mean something. Our hero, Ellis, was idealistic -- picking fights for love, and stealing to help lovers stay together. This was to compensate in his mind for his parent's marital troubles, and because he wanted love too. See SPOILERS section below for more.
Despite lots of pictures of trees and riverscapes, the photography does not capture natural beauty, and maybe that is intentional since the subject is generally dreary. On the other hand, natural beauty is one reason why these river men love the life so much, and that never made it into the film. I did not think this was an "interesting portrait of a dying way of life," on a historical or cultural level.
The soundtrack was poor, especially the closing credit music.
The soundtrack was poor, especially the closing credit music.
Idealistic Ellis, is happy because he can gaze at the cute (older) high school girls across the street. It would have been so much better to have him meet girls his own age. If this is a coming of age movie, where is the advance in Ellis? Just this one detail would have changed my assessment of the film. Instead he is turning into a peeping Tom/stalker.
Idealism is drowned in a river of troubles. This is how idealistic boys turn into burned-out, bitter, old men: where the best skill is picking off bad guys with a sniper rifle, or swimming unseen while been shot at.
Ellis never went out on the date with Mary Ellen either; that was also a dream. He met Juniper selling fish, and she never met Mud. The boys find a boat on the island, get some rope to free it, patch the leak, steal a motor, but never get the motor running. At the end, Ellis dreams his house gets shot up, that is why Mud is attacked in Ellis' bedroom, and in the morning the house boat is dismantled and Ellis moves to town with his Mom. His imaginary friends cruise away on the boat to open water. In the end, Ellis sees some neighbor girls. (As mentioned above) it would have been a happier ending if they were his own age, or carrying a fishing pole, or a soccer ball, or anything to show they were real people not another daydream.
There are problems with this analysis -- why do the police have Mud's photo? Even if one believes all this, what is the hidden message. Nothing really? Just a kid "coming of age."
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